THE OLD MAN AND THE BEASTS

A Pan-African Poetry Anthology

Edited by: Oluchi Igili, Ph.D & Oluwatunmise Olupona

Background and Concept

The idea for The Old Man and the Beasts was born out of a stimulating conversation reflecting deeply on Africa’s socio-political realities and leadership dilemmas. What began as a social media reflection evolved into a continental literary vision that seeks to gather poetic voices questioning power, corruption, and identity.

The anthology captures the tension between the 'Old Man' symbolizing Africa’s aged beauty, resources, wisdom and memories; and the 'Beasts- the recurring forces of greed, corruption, and decay. Through poetry, this project reimagines Africa’s story, giving voice to both the wounded and the hopeful.

The Old Man stands as a symbol of Africa itself ancient, wise, wounded, and enduring. He is the embodiment of the continent’s long memory: its empires, kingdoms, cultural wealth, intellectual traditions, and spiritual depth. Yet he is also the bearer of scars colonial wounds, political betrayals, economic plunder, and social disillusionment. To understand the Old Man is to confront the contradictions that shape African existence: resilience and exhaustion, history and erasure, abundance and deprivation, promise and delay.

The Old Man itself is a witness to history, and the historical Great Civilizations. From the libraries of Timbuktu to the walls of Benin and many more, whose authority was fractured by colonization. His back is bent not by age alone, but by the weight of centuries of extraction, enslavement, and ideological domination. We remember a time when Africa defined itself, when its languages, philosophies, and governance structures flourished. We do not forget how foreign powers reshaped borders, dismantled systems, and imposed political structures that fractured the cultural landscape. Thus, the Old Man carries both the pride of heritage and the ache of historical distortion.

Today, the Old Man is more challenged by the disillusionment with leadership, a continent trapped in repeating cycles of power mimicry. He has watched the rise of independence-era leaders who promised liberation but fell into the snares of personal ambition, authoritarianism, ethnic manipulation, and corruption. The Old Man has seen the birth of the modern African state, yet he witnesses how colonial power structures survive within new faces how the seat of leadership becomes a beast devouring its own people. He stands in the ruins of political visions that never came to life, longing for leaders who govern with integrity, accountability, and truth.

The Old Man embodies paradox; Africa is rich in natural resources yet suffers from poverty, debt, exploitation, and capital flight. He sees foreign companies extract minerals while local communities sink deeper into deprivation. He watches economic policies designed elsewhere fracture economies at home. The Old Man lives in a house full of gold, yet lacks the means to repair its crumbling walls. He is trapped between abundance and scarcity, a cruel illusion imposed by global power systems that thrive on Africa’s dependence and underdevelopment.

He reflects the suffering of everyday Africans, the mother who walks miles for water, the child learning under a tree, the youth unemployed despite talent, and the families displaced by conflict. He sees societies wrestling with the weight of inequality, trauma, insecurity, and institutional fragility. He listens to the echoes of protests, revolutions, and uprisings calling for dignity. He stands with the millions who still dream of a better continent while confronting the beasts of bad governance, injustice, and structural violence.

The Beast in turn, is the dark, corrosive forces that have crept into and devoured the beauty of Africa’s political space. It is not a single creature but a constellation of destructive impulses corruption, greed, impunity, violence, exploitation, and the hunger for power without accountability. It slithers through the corridors of government, disguising itself as leadership while feeding on public trust. It distorts democracy into a theatre of survival, where elections become rituals of manipulation rather than expressions of collective will.

This Beast has eaten into the continent’s promise, consuming institutions that once held potential for justice, stability, and nation-building. It swallows national wealth, redirects public resources into private pockets, and leaves citizens scavenging for the crumbs of governance. Its claws uproot merit and replace it with nepotism; its teeth tear at the social fabric, creating divisions where unity once existed.

What makes the Beast most dangerous is its ability to regenerate shape-shifting across generations, wearing the faces of liberation heroes turned dictators, technocrats turned looters, and new elites who mimic the old oppressors. It thrives on silence, fear, and systemic decay.

In devouring Africa’s political beauty, the Beast dims hope but through truth, resistance, and imagination, it can be confronted, named, and ultimately caged.

Rationale and Significance

This anthology aims to document Africa’s political consciousness through poetry. It will serve as a literary mirror, a platform for dialogue among poets within Africa and the diaspora, and a creative monument for collective healing and resistance.

Aims and Objectives

  • Provide a poetic space for African voices to explore themes of leadership, justice, and identity.
  • Bridge poets within Africa and the diaspora through creative collaboration.
  • Showcase Africa’s cultural and linguistic diversity.
  • Produce a high-quality anthology for academic and literary use.
  • Inspire social reawakening through the power of poetry.

Thematic Focus

Contributors are invited to interpret the metaphor of 'The Old Man and the Beasts' through diverse lenses such as:

  • Leadership, corruption, and the illusion of democracy.
  • Freedom, justice, and historical memory.
  • Symbolism of animals, myths, and ancestral wisdom.
  • Resistance and rebirth in the face of oppression.
  • Voices of women, youth, and the diaspora.

Submission Guidelines

Submission is open to all African poets both on the continent and in the diaspora, regardless of age or experience level.

Submission Details

  • Submit 1–3 original, unpublished poems (each not exceeding 40 lines).
  • Poems may be in English or any African language with English translation.
  • Submit in Word format (.doc/.docx), Times New Roman, 12pt, single-spaced.
  • Include name, country, a short bio (max 100 words), and contact email.

Submission Deadline: 30th April 2026

Submission Email:submission@theoldmanandthebeast.com

Subject Line: Submission – The Old Man and the Beasts

Selection and Publication

Accepted works will be professionally edited and compiled under the supervision of the editors. Contributors will receive digital copies of the published anthology. Selected poems may also feature in festivals and media promotions. Publication is scheduled for late 2026 in both print and digital formats.

Expected Impact

  • Encourage literary engagement with African political consciousness.
  • Promote intercontinental collaboration through poetry.
  • Strengthen Africa’s voice in global literature.
  • Provide resource material for educators and researchers.

Coordinating Editors

  • Oluchi Igili, Ph.D
  • Oluwatunmise Olupona

Partnerships and Sponsorship

The editors welcome collaboration from literary organizations, universities, publishers, and cultural foundations interested in supporting African creative projects.

For inquiries and submissions:

Email:info@theoldmanandthebeast.com

Closing Note

The Old Man and the Beasts is not merely a collection; it is a testimony of voices rising against silence. We invite poets across Africa and beyond to lend their voices to this call: to speak truth, to remember, and to re-imagine the African story through verse.